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Repairing /
Replacing
Acoustic Guitar Bridges


Guitar Bridge (Reverse belly as seen on many Gibson guitars)
Repairing
Loose Guitar Bridges
A loose bridge is not an uncommon sight and can be caused by
heat, insufficient glue, stress, a cracked bridge plate
or gluing the bridge to a painted surface.
For
an invisible repair it is essential to:
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Protect the top while heating the bridge
for removal.
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Read the top's grain run out
(direction) and remove the bridge
accordingly.
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Thoroughly
clean the surfaces of the bridge and top before
re-gluing.
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Fit the bridge
to the top if necessary.
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Loose bridges almost always require
complete removal in order
to properly repair. The only time I may opt not to remove the bridge is
when only a very small amount is actually loose (like the tip of the outer wing
for example) otherwise you are probably just postponing the inevitable.

The top has been cleaned of glue and the bridge is ready to
reglue.
A cracked or warped bridge plate can also cause a bridge to
pop loose and must be addressed before the bridge can be reglued. When the structural integrity of the top is weakened by a cracked
bridge plate or loose braces the top may loose necessary stiffness and take on an excessive arch
or hump behind the bridge. This "arching" of the top now places incredible pressure on the
bridge and the two surfaces, no longer conforming in shape, may cause the bridge
to pop loose.
Leaving an instrument in a hot car, attic or other hot
environment may cause the glue to soften which can allow the bridge to shift or
creep forward. Unfortunately this usually does some damage to the finish as
well.
The finish in front of the bridge was damaged when
the bridge slid forward after being left in a hot environment.
Replacing An Acoustic Guitar Bridge-
Bridges may require replacement
for several reasons. Bridges that have come unglued and left for a long period
of time can warp and twist. Cracks can develop thru the bridge pin holes or in
front of the saddle and cause the bridge to split. And some may have been
thinned by a well meaning repair person who was trying to lower the action
without resetting the neck.
The bridge is a top brace, albeit an exterior one and
should not be cracked or loose
as it weakens the structural integrity of the top and can affect the tone as a
result of the poor coupling. An overly thin bridge also
changes the dynamics of tension/torque placed on the top and the distance of the
strings from the soundboard.
Intonation Correction
Another reason we may have to replace an acoustic guitar bridge is to correct
intonation problems caused by an inaccurate placement of the bridge/saddle. You
can read more about this in an article detailing a
Martin guitar bridge replacement to correct
intonation.
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Nearly all bridges I replace are made from scratch. Changes
in design and material make it impossible to purchase a ready made bridge
for most vintage instruments. Brazilian Rosewood, which was frequently used on
older instruments, is no longer used by larger factories. |
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These bridges
were made from scratch to replace the original. |
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Mossman |
Gibson,
converted from adjustable |
Martin,
Pyramid |
View More Bridges
Factory replacement bridges-
Quite frankly this is the exception rather than the rule.
Basically the only time we can use a factory made bridge is on newer
construction or on instruments where designs have not changed thru the years.
This is normally less expensive, so when the bridge is available it is purchased
thru the factory.
Bridge Conversion
(See
the second picture above) Some
instruments were built with bridges which incorporated adjustable saddles. These designs usually consisted
of bolts,
screws, nuts, washers and a large porcelain/ceramic or wood
saddle. Quite frankly they often sounded bad and I've replaced quite a
few. They lack good coupling and create a gap between the base of the saddle and
the topt. More

I do not offer
to make custom bridges for retail sale as parts (no installation). I make only that which I
install.

Special
Considerations

Painted
Guitar Bridges - Removing certain painted guitar bridges
poses another problem. Most manufactured classical guitar
bridges are finished (painted) and if we must heat the bridge to
remove it the finish is likely to be
destroyed. This requires stripping and refinishing
of the bridge after removal which make them more time consuming
and costly repairs.
Plastic Inlays
- Some acoustic guitar bridges have been inlayed with plastic
appointments (faux pearl, ab-alony!) . These need to be removed
before the bridge is heated or they are likely to go up in a cloud of smoke.
Thick
Top Finishes / Poor Surface
Preparation
- In order to reduce prep time some manufactures of inexpensive
instruments forego removing the finish beneath the bridge
(others may not remove all of it). Bridges glued to finish will
usually pop loose pretty quickly (these same manufacturers often
add a pair of screws coverd by dot inlays as well).
When the finish is as thick has a credit
card (thick polyester as seen on some imports) we must scribe around the bridge and scrape
the finish away in order to glue the bridge to wood. But, the
real problem I have is the end result, the cosmetic outcome.
Truly thick finishes can create such a ledge between the newly
scraped area and
finished top that the bridge is in effect being inlayed into the finish.
Yuck, it's awful and it's extremely difficult to make it look
good. I personally don't touch those.
Related
Articles:
Martin
Bridge Replacement
Pictures of Bridge Replacements
Bridge Plate Repair/Replacement
Bridge Pin & Stringing Facts
Intonation
Saddles

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