Binding
Repair Cont.

Continued from page 1......

Replacing cracked, decaying or missing binding
If the instrument is in need of new binding and is
not going to be refinished,
this is a delicate and time consuming task
indeed. After
removing the original binding and cleaning the channel we're
ready to glue our new binding in place.

Two Step Channel Used For Multiple Bindings
Once the
binding has been glued in place and given time to cure it must
be scraped level with the body.
While scraping
the binding to the correct thickness we do our best to avoid
scraping thru the clear coat finish and disturbing any color
coat. Many have asked why I don't simply use binding that
matches the depth of the channel exactly and avoid scraping
altogether. The problem is that many instruments have a somewhat
inconsistent channel depth that will vary around tight corners
etc. It is far better to fill the channel with something too
large than something to short or narrow and be left with binding
that is too thin in areas to lay flush with the top or sides.
Rebinding certain instruments can be a huge job, especially on
something like a Gretsch Country Gentleman which can suffer from
an enormous amount
celluloid deterioration. I've done enough of those for
one lifetime and will likely pass on any future inquires due to
the amount of finish work normally required. :)
Once the new binding has been scraped flush
with the sides and top it must then be oversprayed (painted) in
many cases.
Most of the time it will require some tinting or aging
techniques to assure it looks appropriate, the thinner the
instruments finish, the easier the process tends to be. After achieving the
appropriate hue we must then apply a clear finish in
order to level, wet sand and polish.

The decaying binding on this Gretsch
Tennessean was replaced and aged.
